It's not as if I noticed it yesterday morning either. I pottered around the house, hung out some washing, went to the movies (we saw the Irish film 'The Guard', which was an-greannmhar, which is supposedly 'very funny' in Gallic, but hey, someone on the Internet might be yanking my chain) and when I got home, I headed out the back for lunch on the Xmas swing and started to read. But something seemed not quite right. The light seemed different. I decided that the Lawnmower Man, who came by Tuesday, must have cut back the vines over the chook shed. I went to investigate.
Showing posts with label weird. Show all posts
Showing posts with label weird. Show all posts
Sunday, November 13, 2011
Arboreal conundrums
It's not as if I noticed it yesterday morning either. I pottered around the house, hung out some washing, went to the movies (we saw the Irish film 'The Guard', which was an-greannmhar, which is supposedly 'very funny' in Gallic, but hey, someone on the Internet might be yanking my chain) and when I got home, I headed out the back for lunch on the Xmas swing and started to read. But something seemed not quite right. The light seemed different. I decided that the Lawnmower Man, who came by Tuesday, must have cut back the vines over the chook shed. I went to investigate.
Saturday, November 12, 2011
Saturday morning swot
If you've ever wondered fictionwise what 'weird' is, or you'd like some impressive phrases to use when trying to convince more hidebound folk of the legitimacy of the fantastika literatue, pop over to this interesting piece on templates for understanding shaping how we engage with narratives, and the tolerance for ambiguity that each reader brings to a story. It states:
Fantastic and weird stories explicitly eschew, to varying extents, the dualism of real/unreal and often genre-mapping as well. They utilize metaphors to contextualize the ineffable so that the unexplained and the unfathomable become a part of the story, not a distraction.
Not a distraction. Exactly!
I love stories full of crunchy bits set in outlandish universes as long as the internal logic holds up to scrutiny. But if the writer glosses over serious structural errors, or cobbles together strange scenes and happenings just because they're pretty or interesting but have no real foundation, or tries to hide that he/she is winging it with bags and bags of cheap, hi-falutin fudge, then, well, hell hath no fury like a reader deceived.
Fantastic and weird stories explicitly eschew, to varying extents, the dualism of real/unreal and often genre-mapping as well. They utilize metaphors to contextualize the ineffable so that the unexplained and the unfathomable become a part of the story, not a distraction.
Not a distraction. Exactly!
I love stories full of crunchy bits set in outlandish universes as long as the internal logic holds up to scrutiny. But if the writer glosses over serious structural errors, or cobbles together strange scenes and happenings just because they're pretty or interesting but have no real foundation, or tries to hide that he/she is winging it with bags and bags of cheap, hi-falutin fudge, then, well, hell hath no fury like a reader deceived.
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